The Thing That Should Not Be by Metallica Chords & Tabs - Giljames

Tabs Analysis and Overview

Unique Aspects of the Composition

This guitar tabs features a blend of intricate fingerstyle techniques and rich harmonic textures, creating a captivating musical narrative. Highlighted sections include:

• Measure 5-8: The use of harmonics (B3G3Harm) on strings 2 and 3 paired with a continuous bassline creates a resonant backdrop. This technique requires precision in finger placement and timing, best executed with the right-hand thumb (T) and the right-hand finger (PC) for plucking. The combination of harmonics and bass notes results in a sonorous quality that is both contemplative and engaging.

• Measure 12: This section introduces an intricate sliding technique (B3SC4) where the player shifts seamlessly between notes. The inclusion of both first and second fingers on the 5th fret of the 3rd string while sliding to the 7th fret introduces a smooth melodic line and showcases the player's dexterity.

• Measure 17-20: The dotted rhythm (C__) is prevalent in this passage, creating an unexpected syncopation that enhances the melodic interest. Additionally, the use of palm muting (PM) provides contrast, allowing for dynamic variations that highlight the player's control over sound.

Performance Challenges and Techniques

Key challenges within the music can be identified as follows:

1. Complex Fingerings:

   • Measure 8: The transitions between notes using pull-offs (B3PC4) and hammer-ons (B3HC4) create a fast-paced sequence that can be tricky to execute cleanly.
   • Solution: Slow practice with a metronome, focusing first on the pull-off technique by isolating the respective notes before integrating the hammer-on, will enhance fluidity.

2. Timing and Rhythm:

   • Measures 14-16: The syncopation introduced here requires meticulous attention to phrasing, particularly the dotted rhythms.
   • Solution: Break down these measures into smaller groups, practicing with exaggerated timing and gradually working back to the specified tempo.

3. Articulation Control:

   • Measures 18-19 contain a fluency of slides and hammer-ons that require precise finger pressure.
   • Solution: Focus drills specifically on finger strength and independence through repetitive practice of basic exercises, ensuring clarity of tone without excessive pressure.

Practice Recommendations

To effectively tackle the identified difficulties, follow these targeted strategies:

• Isolate Sections: Break down complex sections, especially measures 5-8 and 12, focusing firstly on getting the finger placements right and then gradually increasing tempo without losing clarity.

• Use a Metronome: Maintain consistent timing, especially in measures with dotted rhythms. Begin at a slow pace (e.g., 60 BPM), fine-tuning each segment before moving up in tempo.

• Develop Left-Hand Dexterity: Utilize simple exercises that incorporate sliding techniques similar to those in measures 12 and 14. This could help with both accuracy and speed during performance.

• Rhythmic Counting: For a solid grasp of rhythm throughout the piece, literally count aloud through tricky measures (such as 14-16) while playing them slowly, focusing on voice leading to strengthen the rhythmic delivery.

By addressing the unique challenges highlighted in the piece, players will not only enhance their proficiency with these advanced techniques but also enrich their overall musicianship, enabling a deeper connection to the music being performed.